2011 — Project Grant, The New York State Council on the Arts
Received support for project development and artistic production in visual arts.
Project Grant, Michael Baastrup Chang, visual arts, New York State Council on the Arts, 2011
Michael Baastrup Chang is a Danish-Korean painter born in 1973, known for his abstract compositions that blend Nordic and Eastern influences. He has a background in visual arts and has participated in various collaborative projects across different mediums.
Received support for project development and artistic production in visual arts.
Project Grant, Michael Baastrup Chang, visual arts, New York State Council on the Arts, 2011Funding awarded for international research and travel in support of artistic practice.
Travel Grant, Michael Baastrup Chang, Danish Arts Foundation, international research, 2010Supported travel and artistic exploration abroad to enrich visual arts practice.
Travel Grant, Michael Baastrup Chang, Danish Arts Foundation, artistic travel, 2009Early study grant awarded for academic and artistic development in visual arts education.
Study Grant, Michael Baastrup Chang, visual arts education, City of Westminster, 1994Explored advanced printmaking techniques and collaborative approaches to experimental monoprints in a focused one-week residency.
Spitbite residency, Michael Baastrup Chang, printmaking, monoprints, Copenhagen, 2023Intensive three-week residency focused on monoprint exploration and material experimentation, bridging traditional and contemporary print techniques.
Monoprints residency, Michael Baastrup Chang, printmaking, material experimentation, Copenhagen, 2020Focused on photogravure printmaking, deepening technical mastery and exploring the expressive potential of etching and photographic processes.
Photogravure residency, Michael Baastrup Chang, printmaking, photogravure, San Francisco, 2013Specialized aquatint residency emphasizing layered surfaces and tonal experimentation in printmaking.
Aquatint residency, Michael Baastrup Chang, printmaking, aquatint, Copenhagen, 2012Extended residency exploring aquatint, line, and tonal subtlety in contemporary printmaking practice.
Aquatint residency, Michael Baastrup Chang, printmaking, aquatint, Copenhagen, 2011Collaborative experimental installation residency integrating visual and audio-visual work for public engagement and performance.
Audio/Visual Experimental Installation, Michael Baastrup Chang, experimental art, Elmira NY, 2011Residency focused on interdisciplinary collaboration, integrating dance, media, and visual art practices.
Collaboration with Stringdance+Media, Michael Baastrup Chang, interdisciplinary art, Brooklyn NY, 2010Explored collaborative performance, video, and visual art practices in an immersive interdisciplinary residency.
Collaboration with Stringdance+Media, Michael Baastrup Chang, interdisciplinary art, Brooklyn NY, 2009Residency focused on aquatint etching techniques, emphasizing both hard and soft ground processes for layered compositions.
Aquatint, Hard Ground and Soft Ground, Michael Baastrup Chang, printmaking, San Francisco, 2009Explored anatomical structures and forms, translating observations into print and painting practices.
Anatomy residency, Michael Baastrup Chang, anatomical study, Copenhagen, 2006Initial residency examining human anatomy and visual representation for artistic development in painting and printmaking.
Anatomy residency, Michael Baastrup Chang, anatomical study, Copenhagen, 2005Solo exhibition presenting abstract works on canvas, paper, mobiles, and wall drawings centered on graphite as a medium. The show connected Chang’s first childhood sketches with his current practice, highlighting graphite’s role in generating new artistic ideas and directions. A short video documents the installation, textures, and spatial arrangements of the show.
Graphite exhibition, Michael Baastrup Chang, abstract painting, drawing, graphite, Copenhagen, 2022, Galleri Weinberger SchandorffExplored memory, colour, and personal history through prints and abstract paintings. Visitors experienced large-scale works, delicate compositions, and immersive visual narratives. The exhibition video features close-ups of paintings, spatial arrangements, and the atmosphere of the show, giving an authentic sense of the exhibition.
Colours Collected From a Childhood, Michael Baastrup Chang, abstract painting, prints, memory, colour, personal history, Copenhagen, 2020Featured drawings and paintings exploring systems, rules, and repetition as structures for abstraction. Included graphite drawings on paper, oil-wax treated paper combining graphite, beeswax, linseed oil, and pigment, and tempera paintings on canvas layered with pipe clay, chalk, slaked lime, and pigment. The series emphasized process, materiality, and the movement of the hand.
Life After Ninety, Michael Baastrup Chang, graphite, oil-wax, tempera, canvas, paper, abstraction, Copenhagen, 2016Joint exhibition reflecting Chang’s transition toward material- and process-focused painting, rooted in historic techniques and natural materials. Inspired by tempera painting and ancient binders, Chang worked with lime, pigment, and egg-based mediums to build layered surfaces requiring patience and long drying times. The exhibition emphasized art as a slow, organic process, exploring themes of growth, failure, and dialogue between artists.
Infinity Loop and Images of Eggs, Michael Baastrup Chang, Mette Ussing, tempera, egg-based mediums, process art, Copenhagen, 2012Combined graphite, beeswax, egg tempera, and printmaking to explore appropriation, materiality, and process. Works included layering graphite and beeswax over reproductions of Munch, Warhol, Bacon, and Goya, highlighting the color black and echoing minimalist traditions. Participatory works invited public mark-making, emphasizing dialogue and engagement.
The Journeyman, Michael Baastrup Chang, graphite, beeswax, egg tempera, printmaking, abstraction, Copenhagen, 2011Presented new aquatints created during Chang’s residency at Crown Point Press in San Francisco, alongside large-scale monochrome paintings and multi-panel works. Explored tonal variation, chine-collé, and subtle geometries rooted in minimalist traditions. The centerpiece was an eight-panel tempera and wax painting referencing Robert Musil’s novel, linking Nordic sensibility with global minimalism.
The Man Without Qualities, Michael Baastrup Chang, aquatints, monochrome paintings, tempera, wax, minimalist, Copenhagen, 2010Participated in a group exhibition showcasing contemporary abstract painting, emphasizing color, form, and spatial composition.
Artwork Orange, Michael Baastrup Chang, abstract painting, Copenhagen, 2023, group exhibitionFeatured in a temporary pop-up exhibition highlighting contemporary concrete and abstract artworks, exploring materiality and color relationships.
Pop-Up Show Konkret, Michael Baastrup Chang, contemporary art, concrete art, abstract painting, Charlottenlund, 2021Participated in a collaborative mail-art project emphasizing experimental collage and networked artistic exchange.
The Postal-Collage Project No. 9, Michael Baastrup Chang, collage, experimental, Berkeley, 2020Participated in an international exhibition series presenting anonymous drawings exploring abstraction, line, and gesture across multiple European venues.
Anonymous Drawings 2015, Michael Baastrup Chang, abstract drawing, international exhibition, Germany, Italy, 2015–2016Showcased collaborative projects highlighting artistic dialogue, exchange of techniques, and joint creative processes in contemporary art.
Pairings, Michael Baastrup Chang, collaborative art, contemporary art, Healdsburg, California, 2015Participated in early collaborative mail-art projects exploring experimental collage, networked artistic dialogue, and spatial composition.
The Postal-Collage Projects No. 1–3, Michael Baastrup Chang, collage, mail art, San Francisco, Berkeley, 2012–2014Exhibited multimedia and installation works exploring fragmentation, process, and audience interaction.
Fragments, Michael Baastrup Chang, multimedia, installation, Elmira, NY, 2011Participated in a collaborative performance-based exhibition integrating visual art, movement, and experimental narrative.
Stories of the Sun God, Michael Baastrup Chang, collaborative art, performance, New York, 2010Featured in a group exhibition exploring figurative abstraction, proportion, and contemporary reinterpretations of classical forms.
The Vitruvian Woman, Michael Baastrup Chang, figurative abstraction, contemporary art, Torino, Italy, 2009Exhibited contemporary abstract works as part of an international group show focusing on conceptual approaches to painting and drawing.
At the Zenith, Michael Baastrup Chang, contemporary abstract art, Belgrade, Serbia, 2009Participated in a collaborative exhibition investigating themes of memory, preservation, and abstraction through water imagery and experimental techniques.
Water Preserves, Michael Baastrup Chang, abstraction, water imagery, collaborative art, NY, 2009Exhibited anonymous drawings exploring process, gesture, and abstraction within a collaborative international context.
Anonymous Drawings No. 10, Michael Baastrup Chang, abstract drawing, Berlin, Germany, 2009Trine Ross, Politiken.dk, Copenhagen, 2011: “Dansk krop overmaler Munch, Warhol og Bacon med sort” — A powerful and evocative take on the human form, showcasing a unique blend of tradition and contemporary expression.
Ray Finger, Star-Gazette, Elmira, NY, USA, 2011: “Fragments on Display at Arnot Museum” — A compelling presentation that challenges perceptions with layered narratives and experimental visuals.
Claudia Corrieri, ArtReview.com, London, 2010: “Exquisite Corpse Video Project: A Network First” — An innovative approach to collaborative video art that pushes boundaries and creates new dialogues.
Tita Nordlund-Hessler, Eskilstuna-Kuriren, Sweden, 2009: “Nu vill han göra bilder av tomrum” — Engaging with emptiness and form, the work invites viewers into a contemplative space between presence and absence.